10 - 24 October 2024
Malta Postal Museum
Valletta
Artists
Emma Agius, Victor Agius, Kamy Aquilina, Keit Bonnici, Luke Bugeja Gauci, Ryan Falzon, Gabriel Lia, opensound.network, Katie Sims, Sasha Vella, Raffaella Zammit
Curators
Elyse Tonna, Margerita Pulè
In collaboration with Prohealth Malta
Assisted by psychotherapist Umberto Buttigieg
World Mental Health Day (10 October) is an international day for global mental health education, awareness and advocacy against social stigma. The overall objective of World Mental Health Day is to raise awareness of mental health issues around the world and to mobilise efforts in support of mental health. It provides an opportunity for all stakeholders working on mental health issues to talk about their work and what more needs to be done to make mental health care a reality for people worldwide.
In recognition of World Mental Health Day, Far from Somewhere is an interdisciplinary contemporary art exhibition which articulates overlapping narratives related to mental well-being, and which places itself in pursuit of more resilient environments and increased sharing and co-responsibility. The exhibition seeks to explore the challenges presented by ever-increasing changes to our physical and urban contexts, and how environmental and social transformations can influence our state of mind and our sense of well-being in the world.
A lack of open spaces and the densification of our urban environments can have implications on mental health, such as uncertainty and increased stress and anxiety, loss of familiarity, loss of identity, social disconnection and a lack of positive regard towards the future. By creating spaces - both physical and non-physical - which can nurture, support and protect us in navigating these changing environmental and emotional conditions, we can unearth potential strategies for self-care and opportunities for mental well-being.
As a point of departure, Far from Somewhere employs ‘ecotones’ as metaphorical representations of these in-between zones. Rooted in ecological thinking, an ecotone is an ever changing area of transition where two communities meet and overlap and are characterised by significantly dense communities of organisms facilitating biodiversity and enhancing ecological resilience. The ecological dynamics of ecotones are characterised by a phenomenon termed “the edge effect”. Symbolically the edge is a representation of two distinct spaces and subsequently the unique interactions which occur therein. The interpretation of the edge, typically perceived as a border or boundary which is defined and finite, within this context evolves into this dynamic in-between zone; transitional, adaptive, abundant, sensitive and diverse.
While commonly perceiving edges as peripheral, we look towards non-human communities to understand the potential of ecotones and in-between zones as to rethink, to restore, to grow; to create sites of refuge. A metaphorical parallel can be drawn between the ecotones and edges found within urban environments and those representing emotional and psychological states. In neuro-urbanism, a field which explores urban environments, mental wellbeing and neuroscience, these in-between zones, edges, peripheries and boundaries are seen as spaces of refuge, restorative environments contributing to improved wellbeing. By identifying and seeking transitional spaces, we distance ourselves from the negative implications of urbanisation, zooming in to identify and create or unleash metaphorical ecotones embedded within the conscious and subconscious, the physical and nonphysical. These transitional spaces can become opportunities for new and vibrant ways of contacting the environment that respect and take into full consideration our personal and psychological needs and desires (an environment that works for us).
As the title suggests, Far From Somewhere reflects on our surroundings and urban environments and their subliminal associations with mental health and wellbeing. Building analogies between physical space, mental space, and social and mental well-being, the exhibition recognises the need for more resilient environments and increased positive influences on our mental health.
Sasha Vella
passages of change
2024. artist book and photographic print on di-bond
Keit Bonnici
Mr Bill Pill
(I only got out of bed to make this)
2024. angle grinder, steel
Keit Bonnici
Mr Bill Pill (detail)
(I only got out of bed to make this)
2024. angle grinder, steel
Ryan Falzon (foreground)
Safe Spaces
2024. papier mâché, oil paint, sound
Victor Agius (background)
Iz-Ziju
2024. plaster casts, silicon moulds, clay, shells, sand, digital images
Gabriel Lia
S(furnata)
2024. spoken word, breadcrumbs, mirror
Gabriel Lia
S(furnata) (detail)
2024. spoken word, breadcrumbs, mirror
Katie Sims
Calibrate (1 Kings 19: 12-13)
2024. oil on panel
Emma Agius
No sudden movement (detail)
2024. thermal print on paper
Victor Agius
Iz-Ziju
2024. plaster casts, silicon moulds, clay, shells, sand, digital images
Victor Agius
Iz-Ziju (detail)
2024. plaster casts, silicon moulds, clay, shells, sand, digital images
Kamy Aquilina
The Blue Open Space (detail)
2024. cyanotype on fabric
Luke Bugeja Gauci
Among You
2023. dance video
Ryan Falzon
Safe Spaces (detail)
2024. papier mâché, oil paint, sound
Ryan Falzon
Safe Spaces
2024. papier mâché, oil paint, sound
Raffaella Zammit
Relational Ecologies
2024. fired clay pieces and mixed media
opensound.network
In Listening
2024. participatory workshop
Katie Sims
Calibrate (1 Kings 19: 12-13)
2024. oil on panel
Calibrate (1 Kings 19: 12-13) is a series of oil paintings arranged on a wall, created using the most elemental materials and limited to two or three colours within a specific tonality.
The artist seeks to explore the phenomenon of material vibration, inviting a mode of reduced ‘listening’ where the viewer is encouraged to move beyond identification, location or causation and instead experience the work as something to behold. Drawing on the insights of ethnomusicologist Jeffers Engelhardt, the artist is interested in how each work gives time, space and relationships that allow interferences to be realised psychovisually,
Emma Agius
No sudden movement
2024. thermal print on paper
The images in this series explore the ambiguous boundaries between depression and the life that lies beyond it, questioning the assumption of a clear-cut conclusion to depression. Through long-exposure black-and-white self-portraits, the artist captures the fluidity of identity and the continuous process of becoming. Symbolism plays a significant role: feathers represent the act of letting go of the past, indicative of both personal transformation and seasonal change. The ongoing journey of self-love and the challenge of wearing a wedding night dressing gown, reflect the artist’s battle with weight gain during depression. This work serves as a therapeutic examination of the psyche, with each image signifying a step towards recovery.
Ryan Falzon
Safe Spaces
2024. papier mâché, oil paint, sound
This multi-media installation explores resistance to external forces that can impact well-being, symbolising resilience and growth. The vessels represent time as depicted in divination spreads, while the larger vessel offers a safe space for depositing intrusive thoughts and aspects of the self that are outgrown over time. Through meditative rituals of control and reflection, the artist and viewers connect in routines that evoke the human psyche’s need for safety. Narratives across time transform into a new, tranquil state of being, providing tools and space
Raffaella Zammit
Relational Ecologies
2024. fired clay pieces and mixed media
Relational Ecologies seeks to bridge the gap between the individualism within modern Western society and the interconnectedness inherent in natural and communal ecologies. The socio-nature divide, a product of Western everyday life, has elevated self-care at the expense of community care, creating a rift between the individual and the collective, and leading to a culture of isolation rather than that of interdependence and interconnectedness. However, overlooked vestiges of communal care still remain within the urban landscape. These remnants are embedded in the rituals and practices that persist in our public spaces; a relational ecology of sorts that connects and impacts beyond the urban.
The work is composed of clay impressions collected by the artist and a group of participants who searched for care in the streets of Birkirkara and Balzan, reflecting on the meaning of care in public space. A question by a child “Who takes care to sow the flower seeds?” lingered and resonated with the group, is it nature, culture, society or all and none?
Thanks to participants Amparo Alonso Sanz and family, Ana Laura Torquato, Martin Galea De Giovanni, Richard Blundell, Suzanne Maas, Tumas Zammit and others.
Kamy Aquilina
The Blue Open Space
2024. cyanotype on fabric
The image contained within this work represents a personal journey towards mental well-being, focusing on what the artist calls the ‘blue open space’ - a symbol of the sea, peace, and tranquillity. Through the use of blue hues, tones, and organic shapes, the work evokes the sea and explores the connection between nature and self-awareness. The fabric itself holds a deeper significance, recalling a childhood memory of the artist’s grandfather’s boathouse.
The experience of connecting with the sea provides a profound sense of relaxation, deepened the artist’s appreciation of nature, and alleviated anxiety and stress; through this intimate engagement with the natural environment, the artist has achieved a state of inner peace and tranquillity. The work thus becomes a reminder of the blue open space that endures on the Maltese Islands, symbolising the connection between the self and the natural world
Sasha Vella
passages of change
2024. artist book and photographic print on di-bond
passages of change features a series of meandering walks along the island coast of Gozo, documented in 35mm black and white film photography, accompanied by reflective writings. The artist employs meditation in movement to deal with her own mental health, ultimately creating a sense of escape and a world through photographs – a world that already exists in this reality, but not quite. The project serves as an ode to the resilience and adaptation embodied by nature’s ways of embracing the process of change – particularly rocks – and the parallels that can be created here, between the human and non-human. A grappling exploration of how to morph into the new, while remaining.
All that is documented within this book was formed through change.
opensound.network
In Listening
2024. participatory workshop
To listen is to give attention: to open up towards possibilities for sensitivity and perception. How can we attune ourselves to the subtle rhythms of our inner and outer worlds? In listening is an invitation: to explore the practice of listening as an embodied practice, one which offers an alternative timespace for being and resting within the world. Navigating the spaces in-between mind, body and environment, we will unfold possibilities for listening - using it as a guide towards fluidity, openness and metamorphosis.
Gabriel Lia
S(furnata)
2024. spoken word, breadcrumbs, mirror
A loaf of bread can be burnt, crumbling, and dried out; just like us.
(S)furnata considers mental health as essential as bread, a vital source of beloved nourishment, while also addressing our misfortunes. It delves into the theme of losing oneself and the hope of discovering a greater purpose. Floury metaphors and imagery inspired by the rich narratives of local bakeries are intertwined with the idea of a fragmented self.
In search of the vanishing smell of fresh bread in the heart of the village, the spoken word performance invites the audience to embark on a journey of self-reflection. Am I crumbling? Tfarrakt?
Victor Agius
Iz-Ziju
2024. plaster casts, silicon moulds, clay, shells, sand, digital images
Iz-Ziju is a mixed media installation by Agius about his uncle Joey Sultana, who faces learning difficulties. Growing up in 1960s Gozo, where mental health resources were scarce, Joey was embraced by the Xagħra community. Integrated into various social and cultural groups, his daily life involved tolling the basilica bell at midday, serving as the Xagħra United F.C. mascot, socialising and running errands for friends in the village square, and pushing the drum during Victory Band marches. Agius’s work explores how these rituals, supported by Joey’s loving family and community, helped him navigate daily challenges. Joey is now a resident of ‘Dar Madonna ta’ Pinu’, a home in the community for independent living and on various occasions he still experiences the village life and its community events.
Keit Bonnici
Mr Bill Pill
(I only got out of bed to make this)
2024. angle grinder, steel
Mr Bill Pill creates a peripheral hairline fracture at the complex socio-polical/economic/cultural relation juggernaut between mental health, health systems, the proletariat and the personal.
To manage an illness?
To cure an illness?
22.4% invisible
Luke Bugeja Gauci
Among You
2023. dance video
Among You is a project that explores mental health journeys through diverse perspectives, capturing the emotions and needs of the individual at different stages of the struggles. It highlights the deep longing for connection and the wish to relive certain memories and events from an individual’s life. By portraying these personal experiences of the individual, the project aims to inspire audiences to foster empathy, understanding, and support for those dealing with mental health issues. Among You encourages viewers to reflect on their own journeys promoting open conversations and a shared commitment to mental well-being.
Emma Agius crafts provocative mixed media creations with ink and crayons. Her art, born outside traditional bounds, shockingly shares her personal narrative. Emma harnesses her pieces' therapeutic potential, using repetitive line techniques to express what words cannot. Her work delves into healing stages and conveys raw emotions—anger, grief, loneliness, experiences of sexual assault, and childhood trauma. Each piece seeks a visceral connection with the audience, encouraging them to confront their suppressed feelings. Emma's art wields unfiltered emotional extremes, offering unadorned frankness and a call for authenticity in expression.
Photo: Lindsey Bahia
Luke Bugeja Gauci is a compassionate choreographer known for his powerful storytelling through dance. Luke has presented his works in prestigious festivals globally, including the Dance Festival Malta 2023 and venues in Zurich, Switzerland, to transcend traditional boundaries. Luke's choreography, "mar," will have its premiere in November as part of the Three Palace Festival in 2024. Luke also collaborated with movingeedit studio on an exhibition titled "Fluidity Of Being" at Spazju Kreattiv. His art goes beyond aesthetics to touch audiences emotionally, while continuing to inspire people and raise awareness about global issues. Luke's commitment to providing comfort, support, and knowledge through his work reflects his belief in the transformative power of dance and art, inspiring positive change one project at a time. His projects are diverse, continuing to align with the flexibility of his message.
Photo: courtesy of Dance Festival Malta
Gabriel Lia is a graduate with a Bachelor's degree in Maltese and Communications and does not restrict himself to one form of artistic practice. He explores the world of writing combined with photography. Lia produced interactive installation works for Notte Bianca, the Malta International Arts Festival and the Ritmu Roots Festival. As a spoken word artist, he produced work for the APS Summer Festival accompanied by the Malta Philharmonic Orchestra. He worked as a researcher on Teatru Malta's production, paying tribute to Prof. Oliver Friggieri's' O.' In June 2024, he released his first self-published book - POĠĠI –a collection of writings from the lockdown period. Anecdotes collected from the streets, telephone notes, and poetry juxtaposed with photographs make up Lia's publication. By profession he is a journalist and a radio presenter, and he has written several scripts for local television.
Photo: Steve Vella Lanzon
Kamy Aquilina is an artist-educator based in Malta and graduated with a Bachelor's Degree in Fine Arts and a Master's Degree in Art Education. She has participated in many various collaborative art projects, art festivals, and exhibitions. Her artworks are often based on personal journeys, using mixed media, visual narrative, multi-sensory art, colour, and space. Photography is essential to her artistic practice in documenting and researching. Throughout the past few years, she has explored multi-sensory art (light and sound installations).
‘Xlokk Kaħlani’ (2021) was her first solo exhibition. It was an intensive documentary research project highlighting her life in Birżebbuġa. The "camera", used as the main artistic tool, enabled her to develop experimental works blending photography, light and sound installation, and the objective of the project was to provide the audience with a multisensory experience.
Throughout her artistic development, she continues exploring new techniques and working outside her comfort zone to improve her knowledge and skills. Kamy believes taking risks and experimenting with new ideas can lead to great outcomes.
opensound.network began from a desire to find new ways of engaging with our environments, seeking out more connected ways for being and belonging. We long to learn how to listen, and to direct our attention to what is heard, alongside our community.
opensound.network emerged from a series of sound performance-installations in open spaces, centered around collective listening experiences. Born out of a research-based process, the location and its ecology – acoustic and otherwise – are brought to the center. The acoustics of the space itself become central to the listening experience, allowing space and environment to emerge as a primary collaborator and co-creator.
Katie Sims is an English artist living in Gozo, Malta. She is concerned with the language and craft of painting. Her practice is based on an interrogation of what constitutes a painting; questioning and identifying the basic principles that govern its structure and behaviour. Her work constantly aims to evaluate its own constituency, questioning its origins and how that immediately is part of the response to the work. During this process, she is directly involved with the history of painting, expanding upon its meaning and purpose, contextualising it within contemporaneity. Sims holds an MFA in Digital Art by Research from the University of Malta and a BFA in Fine Art from Falmouth University, UK. Her paintings have been exhibited internationally and can be found in collections worldwide.
Raffaella Zammit is interested in creative research practices that weave environmental issues and community involvement for socio-cultural transformation. Zammit holds a degree in Geography (Melit) and an MSc in Countryside Conservation and Management (UWE). She is reading for a MA in Social Practice Art and Critical Education with the University of Malta. Her creative practice combines social practice art and socio-environmental contexts. She uses ceramics and other media as a means to develop conversations and deep connections. Since an early age she has been involved in ceramics through her father, the late ceramic artist Gabriel Caruana (1929 - 2018), learning from an early age how to handle clay, the processes of ceramic art making, and how to manage a ceramic arts studio. Since 2014 Raffaella has participated in ceramic courses and seminars and practised in different ceramic studios. In 2016 she co-founded the Gabriel Caruana Foundation, serving as Executive Director and as Co-Creative Director and Programme Manager. Zammit has developed several artistic projects that involve different communities and was awarded a number of funded projects including Kreaturi, Nimxu Mixja, ħożż il-ħsejjes, Whereabouts are you from?, SPRING 2022 - 2024, Fresh Fabrik, SKOPRI to name a few. In 2020, together with her collaborators of Nimxu Mixja, she was awarded the Premju Għall-Arti Best Project in the Community Category.
Victor Agius, a multidisciplinary artist based in Gozo, Malta, works across sculpture, painting, video, performance, and installation. Influenced by his proximity to ancient sites like Ġgantija Temples, Agius draws inspiration from the island’s rich cultural landscape, often documenting rituals and sourcing materials from construction excavations. He uses the local environment as his primary medium to explore universal existential themes, particularly humanity's deep-rooted connection with the earth for spiritual, ritualistic, and everyday purposes. His approach is akin to that of an archaeologist, focusing on formless matter and the primal essence of his materials.
Agius's artistic journey began in his father's sculpture studio and was further shaped through mentorship with Harry Alden. He studied at the University of Malta and pursued further education in Italy and at Central St Martins in London, and was engaged as a visiting lecturer at the University of Malta for a number of years. Agius has exhibited his works locally at prominent venues and internationally in galleries across Europe, such as the European Ceramics Context Ceramic Biennale in Denmark, Premio Faenza in Italy, and Galleria Eduardo Secci in Florence. In 2019, his Art in Public Spaces project, Ħaġarna, was inaugurated in Xagħra, Gozo, featuring a performance involving the artist and the local community.
Ryan Falzon is a visual artist and author. He has participated in a substantial number of solo and group exhibitions in Malta and Europe since 2009, and his works can be found in both public and private collections in Europe and USA. Between 2013 and 2015, Falzon coordinated The Xarolla Windmill Project. In 2014, Falzon was selected for the global Absolut Vodka Transform Today project. His body of work from 2016 to 2019 has become a point of reference in contemporary Maltese political and socially engaged art. Falzon’s first novel, SAJF, was described as the voice of the Maltese millennial generation. SAJF was shortlisted for National Book Council 2023 National Book awards. In 2024, Falzon was awarded the national prize for Best Emerging Author.
Photo: Therese Debono
Keit Bonnici is based on the Mediterranean island of Malta. He is a transdisciplinary artist and designer who is conceptually driven. He has studied and lived in London and Vienna. He is interested in the production and consumption of space positioning the work within surreal materialisation and radical situational insertions.
His practice is an assemblage of designing objects, interventions and narratives that question the social, political and cultural territories of spaces; speculating on obscured realities hidden within the mundane fabric of everyday life. He brings together the processes of making and doing; working with objects, performance, film and visuals. The work is produced through a dialogue of onsite research and studio work.
He weaves through his background in visual art, speculative design, performance, engineering and circus. Keit has exhibited in London, Austria, Malta and the Netherlands.
Sasha Vella (2000) is a Maltese multimedia artist currently working primarily with analog photography. In 2021, she graduated with a BFA (Honours) from the Digital Arts Department of the University of Malta.
Sasha is interested in projects that largely investigate the human impact on the environment, as well as playing with the interconnectivity between nature and humans. She seeks out changing landscapes, indirectly prioritising the desolate, and generally builds her visual narrative by shooting with expired 35mm film, inviting an element of chance and an act of surrender in her process of image-making. Her work is often inspired by the female form, and documenting the beauty in decay and the derelict, both in terms of subject and medium.
Sasha spent the last two years working as a professional journalist, and most recently as a podcast host, with her work focusing on stories that concern socio-political, and environmental notions.
Photo: Sarah Bonaci